A Piece of Portland

Today the students of MISC went to the Northwest Film Center and learned a great deal about the services they provide to the community. We all sat and ate some Mississippi Pizza as the staff members talked about their roles in the non-profit organization. Even though the day was devoted to seeing the Film Center and learning about what the staff do on a daily basis, most of us spent the rest of the day in an editing room putting the final touches on our projects for tomorrow’s review panel.

Alex and I spent hours in a closet sized room at Portland Community Media editing our piece, and after four hours we finally have 2 minutes and 38 seconds of our first draft! (Needless to say we will be heading back tomorrow morning to finish up) But on my way home I couldn’t help but reflect on my time here in Portland. It’s hard to believe that just 5 weeks ago I had arrived in Portland with no idea who I would meet and only a vague idea of what I wanted out of the program, now having been here for 5 weeks I feel attached to this city and grateful for all the memories I will carry along with me when I leave. Oddly enough I am going to miss doing work every day, I am going to miss franticly checking my email each morning hoping that I haven’t missed a dead line or forgotten to do an assignment. I am going to miss having words like B-roll, ambi, and white-balance as a part of my vocabulary, I’m going to miss that good old Mississippi Pizza and I’m going to miss the colorful characters I encountered on the bus each day.

Portland has been my greatest adventure and regardless of how tomorrow goes I am glad I get to leave with a piece of Portland in my memory, and through the video documentary that Alex and I produce, I will leave a piece of me in Portland.

Cheers,

Sindi

The Loaf

I have two favorite things about Portland. One is a huge rotating statue of a loaf of bread on top of a building in a NE. The other is a huge rotating carton of milk. Every time I bike past them, they make me giggle. I’m so glad this program is in this weird city with its gigantic food statues.

Anyway, here’s a short story I thought of as I was pedaling my yellow bike around town yesterday.

The Loaf

Vivi didn’t plan on getting a good mirror. The splotched, cracked piece of glass that hung above her industrial laundry sink did the job just fine. 

Each morning, she opened her eyes to see the unfurnished basement where she lived. She swung her big pink feet onto the cold cement floor and shuffled fifteen paces to the huge plastic sink. As she brushed her teeth, she leaned in to stare at herself in the derelict mirror. Vivi couldn’t see her reflection very clearly, but she could see just enough to recognize the woman’s face staring back.

Her dark hair clung to her head before making its escape down her short neck and towards her shoulders. Her cheeks, which were a light gray color, puffed out on either side of her mouth, which was mauve. Her stubby nose grew red at the tip. Her small eyes were silver and blue.

Vivi’s routine inspection of her appearance never lasted more than a minute. She looked long enough to feel resigned, then spat a small pile of toothpaste into the sink and shuffled off to get dressed for work.

For four years, Vivi left her subterranean lair and climbed upstairs to the kitchen to make herself a cheese and butter sandwich. Mild cheddar, spreadable butter, two slices of white bread. She rushed to make it as to avoid the house’s elderly owner, Mrs. Donnelly. Vivi was taciturn, and Mrs. Donnelly was a chatterer.

Sandwich in hand, Vivi slowly walked from the house to the library where she worked. Each morning, she crossed two busy streets and walked five blocks. As she walked, she watched her feet. Vivi always wore sensible black shoes, and she liked the way they looked as they stepped on the concrete.

There was only one time during her daily commute that Vivi looked up. On the corner of the second busy street, there was a large, square building. On the top of the building, there was a giant plastic sculpture of a loaf of bread in a bag.

The bag of bread was on top of a motorized stand. It spun slowly, around and around on top of the gray building. One side had an orange design and the other was green. The loaf was as long as a tall man, or a small alligator, and it probably weighed much more. Vivi didn’t know why the bread was spinning up there. Perhaps it was an advertisement, but still, an advertisement for non-descript bread seemed pointless to her. As Vivi waited to cross the second busy street each morning, she stared up at the spectacle.

Besides her early morning foray into self-pity, staring at the kinetic bread statue was the only time of day that Vivi allowed her deadened mind to wander. She liked to imagine a giant lady walking up and grabbing the loaf with one huge hand. The loaf was normal and Vivi was just a tiny ant. Or she liked to imagine that inside the loaf was really, really big bread, and if she ever bothered to get to the top of the gray building, she could open the big plastic bag and make herself a gargantuan cheese and butter sandwich. She’d carry the sandwich on her back, the last two blocks to work.

Vivi’s job wasn’t interesting. She sat in the stuffy attic of the big library. Her purpose was to go through the piles of books that were awaiting her each morning. All the books had old-fashioned date due slips in their covers. Vivi took out the cards, typed the book’s life history into her big computer, and set it down in a new pile. She did this again, and again, and again. Her job was to slowly turn the analog world digital, but she didn’t think of it that way. She rarely thought at all. 

On the Tuesday before Vivi’s twenty-sixth birthday, it was raining. She finished her work at six o’clock. The finished books, newly modernized, were stacked in tall piles next to her desk. Their companions of many years, the stiff yellow cards, were in an untidy pile by her feet. The next day, there would be a new pile of old books in the attic, waiting for Vivi to make them new again.

Vivi gathered her things and left the attic. She gazed at her black shoes as they walked down the stairs. After five flights, she was outside. She hadn’t expected the rain. Briefly, she looked skyward, then instinctively pulled her brown coat tight around her shoulders and began the walk home. The rain had darkened the concrete, and her shoes didn’t stand out against the wet, gray ground.

When Vivi got to the corner by the busy street, she looked up, like she always did. The loaf was slowly spinning, ignorant of the falling rain. Vivi watched the colorful sides as cars whizzed past on the damp street: orange, green, orange, green. Vivi imagined someone painting it, carefully picking out the brightest orange, the deepest green.

In four years, the loaf had never changed. Only Vivi’s imagination was distinct from day to day. That’s why, when the loaf lurched to one side, still spinning, slowly, Vivi imagined that she was imagining it.

“Ah yes, finally,” she thought. “If it falls I can see what’s inside.”

Vivi’s plain, pale face was turned up towards the gray sky. Raindrops fell into her small, silver eyes. When the loaf’s stand snapped, and tossed its heavy load towards the wet sidewalk, Vivi didn’t blink.

When the loaf killed her, her tiny eyes stayed open, but no one noticed because her head was smashed under the huge plastic spectacle. Only Vivi’s feet were sticking out from under the loaf, safe inside of her sensible black shoes.

A teenager in a pickup pulled over when he saw the loaf’s descent. By the time he got out, a big pool of dark red blood oozed out from under the loaf, as if there had been ketchup inside instead of bread. The rain plopped into the coppery puddle, one drop after another. Plop, plop, plop.

When the police chief showed up, he was already angry.

“Five hundred pounds of solid plastic, barely attached to the roof of the building?” he fumed. “Do people think this town is a fucking circus tent?”

When the medical examiner showed up, she was calm. She peered at Vivi’s unscathed black shoes.

“Those are hideous,” she said.

It’s true, they were very ugly.

-Lindsey

I think using the phrase "time goes by fast when you're having fun" is cliche

I think using the phrase "time goes by fast when you're having fun" is cliche, yet it truly applies to this summer program. With learning how to make a radio piece centered around social change, talking to numerous media idols, exploring liberal Portland and gaining some killer video skills--this summer will fall under the "successful" list.

One of the most rewarding parts of this  program is to see all your hard work being put together and appreciated. I rarely listened to a podcast prior to coming to Portland and knew very little about how to effectively produce one. With a couple of weeks of "training" I made one that I felt was effective and by using a non-narrative style I really tested myself and enjoyed the results. 

As the end comes near I am more than excited to finish a documentary about a topic I am passionate about and put a lot of thought in: police brutality and the Black Lives Matter movement. I want my piece to promote change in police bureaus around the United States advocating for more minority and women to join the force. Also stoked to see what my peers produce and seeing their passions come out of their pieces. Peace out Portland it's been real.

-Alex

There are only two tools you really need--duct tape, and WD40

There are only two tools you really need--duct tape, and WD40. When it comes to making media on a low budget, they come in handy. Earlier this week, Rose posed a quandary to the group. She asked us to design an updated logo for MISC, and to describe what social change through media meant, and how it can be applied to the organization. In a later conversation, Rose said that she felt like what we do at MISC is create “DIY punk media”. This phrase stuck with me. What is DIY punk media? What does that mean? I realized throughout the summer, “Do-It- Yourself” is exactly what we have been doing. The purposeful, DIY aspect of the Summer Documentary Program makes it attractive to students who have lived in a vacuum of bullet-point internships wrapped in neat packaging. When I first arrived at the program, I felt at home in this atmosphere. It was comfortable. By using community resources--from our homestays, using equipment from Portland Community Media, to hosting events designed for public space- MISC and its students are actively engaging in anticapitalist and anti-consumerist ideals. All we need to produce radio and create films is a story, borrowed equipment, and sometimes some duct tape. There’s no need to buy equipment or permanent spaces when those resources can be used for tech teach-ins, fostering relationships with our neighbors, and telling stories about Portland for Portlanders.

The idea of small-time community journalism taking precedent over corporate media wasn’t new to me, but I hadn’t been exposed to a serious media organization that was purposefully structured that way before starting the program. And turns out, there is a plethora of scholarly, peer reviewed articles on the subject. I found one that analyzed the Do-It- Yourself subculture of punk and how this culture manifests itself into many different aspects outside of music. The hands-on nature of DIY gives a sense of establishment and permanence to the piece we create. When the students made records for the Wage/Working jukebox, we knew that these were tangible. The independent and DIY aspect of punk is what fuels the culture. Being able to experience these stories with more than just sight and sound- being able to pick a story, interact with the jukebox, and be present with other people listening-makes these stories all the more important and impactful. These alternative media experiments are what make it punk media and what make it unique to our community.

Media, and the making of media, has taken new meaning for me. I see through the corporate guise of audience-attentive media. Media created, produced and distributed for wide consumption offers a watered down version of truth and doesn’t serve a community the way local media can. By producing local radio, film, newspapers and other forms of media, we can better serve our neighborhoods by telling stories about and for them. If we control the narrative, we control the social and political agenda(s). Through the Summer Documentary Program, I’ve learned that media doesn’t have to be in a professional setting to be relevant. We can take control of how we tell our stories; we’ve got all the tools we need already.

 

Cheers,

Trisha

The art of the Schlep

I feel bad for people who do not have the word “schlep” in their vocabulary. It is a word that is drenched in sweat and discomfort, shooting out of the front of the mouth bringing spittle with it. I schlepped today. I schlepped hard. This morning, I rode the bus from Division to Corbett Avenue to the DAYA Foundation in order to film its Adaptive Yoga Class. Sweating from the walk to the bus stop, I nearly clocked the bus driver in the head with my tripod that was hanging rom my shoulder. I took up three seats on the bus at first, but as the bus became more crowded, my island of equipment shrunk to an overstuffed seat in the back of the bus.

Filming at DAYA went great. The class is tailored to people with muscular disabilities such as MS and Scleroderma, and so it was a challenge to bring dynamism and riveting excitement to the movements of the class. Thanks to Rose, we used a dolly and swiveled our camera around the room to get some great tracking shots. Erion, the subject of our documentary, is still in New Orleans at a Scleroderma conference, but Trisha and I cannot wait to interview this man. He is really remarkable. I won’t give too much away about the film right now, so I will leave Erion’s description at remarkable.

After filming, we met with Jonathon Marrs, one of the SDP’s video mentors, and this man is awesome. Our initial meeting lasted two and-a- half hours and was just a casual conversation. He showed us his gear and some of his latest projects. He is great asset to MISC. Today’s meeting was different. He watched some of our footage, giving pointers on how to best capture the space of the yoga studio. A lot of his help will come at the beginning of next week when we have our interview with Erion and footage of his living situation, but the meeting was still a good re-centering.

-Rashad

The matter of black lives

A few weeks ago I was playing Lego with my host family’s three year old daughter. She only had a few minutes before bath time so we were working feverishly to build a Lego castle for her kitties to stay in overnight (don’t ask). My arms criss-crossed over her’s as I reached for Lego pieces under her arms and she reached for pieces over mine, when suddenly she stopped working. She looked at me intently and asked “are you wood?” I said no while muffling sounds of laughter but her shoulders slumped down further and her head cocked to one side as she said, “but you’re brown, you’re brown all over!” She then looked down at her own arms and said, “And I’m white all over!” I then realized that after 2 weeks she had noticed a fundamental difference between us: I am black and she is White. I smiled and said yes and we continued to build the castle as she chatted excitedly about which kitty would go where. I pretended to be equally engrossed in the activity but I was reflecting on the innocence of that moment. I knew that one day she would understand that the differences between us were more than skin deep. That one day she would learn about racism and have to decide what position to take.

The recent police shootings have made me question my position, my role and my responsibility. I remember being livid when I first heard about what happened in Baton Rouge, I knew I wanted to make a difference and I was way past the point of believing that a hashtag or a famous quote would do that. That it is why I was so excited when I was offered the chance to work with Dorothy Elmore--an African American retired cop for my video project. Alex and I hope that Dorothy will be the focus of our project that is committed to encouraging more women and people of color to join the police force, and to make them consider how they can make a positive change from within the force. During our interview Dorothy spoke at length about the challenges she faced as a black woman in and out of the police force, noting that fear is one of the major causes of extreme use of violence by cops. We talked about many issues such as Black Lives Matter, the challenges of being a black mother and a cop, and the tension between her role in law enforcement and her involvement in social activism. At the end of our interview my final question was, “What do you think could be a solution to the problem?” She hesitated to give me one at first then said that the core problem is racism, that as long as it exists within our society it will be reflected in other organizations even in the police.

I must admit that my hopes for this project were dashed by her answer to that question, but that is only because what she said is a truth that I have been unwilling to face for a while. Racism undoubtedly exists in this country and it can be as innocent as the Academy Awards nominating only white people for excellence in the film industry, to the extremes of a policeman shooting an innocent black man at point blank range. I still believe in the potential of our project to make a difference no matter how small that difference may be, and that is because of a quote that I cling onto by Dr. Martin Luther King. I share this quote not to join the hordes of people who have taken to social media with famous quotes and hashtags, but to encourage those in pursuit of social change for black lives in spite of recent events, the quote states, “If you can’t fly run. If you can’t run walk, if you can’t walk crawl but whatever you do you have to keep moving forward.”

-Sindi

The Hollywood Theatre and filming for the first time

We took a tour of Portland’s historic Hollywood Theatre today. This year, the nonprofit theatre celebrated its 90th birthday. Doug Whyte, the executive director, was our tour guide and talked to us about some educational opportunities the theatre offers and how the Hollywood Theatre truly values community. For example, Doug explained that since having this job, he watches movies differently- always thinking about what Portlanders would want to watch so that he can bring that content to the theatre. They even hold events featuring filmmakers such as Quentin Tarantino and D. A. Pennebaker (Dont Look Back, Ziggy Stardust and the Spiders from Mars) as well as writers like Chuck Palahniuk (Fight Club).

After the tour, Dylan and I filmed for the first time for our short documentary on Piano Push Play. Megan McGeorge founded PPP so that everyone can have access to pianos. The summer it began, Portland Piano Company gave Megan five pianos to set up around Portland. Ever since then, people have donated unused pianos and now in its fifth year, there are 20 pianos in public spaces this summer. When this season ends, the decorated pianos will go to places that otherwise might not have access to one- low income houses, health clinics, and schools.

We filmed the piano Anna, named after pianist Anna Fedorova, in Holladay Park. We shot a couple of interviews with pianists as well as some B-roll. Overall, the filming experience went better than expected. There were technical difficulties with the equipment, awkward moments in the interviews, and some challenges with the natural lighting but we learned from it and are now better prepared for tomorrow’s shoots. At the end of the day, we definitely realized just how important pre-production is; from having a checklist of equipment to storyboarding to having a list of shots. I hope tomorrow is another good shoot day!

-Pilar

When I’m feeling like my media intake needs to be leavened by some feel-good visual enjoyment

Since this is my last scheduled blog post, I originally planned to write about my personal viewpoint on the convoluted relationship between media and social change. But with the crazy, often depressing stories that have lately been making their rounds on the news, I decided that readers might appreciate a lighter topic. As such, here are some of my favorite videos to watch when I’m feeling like my media intake needs to be leavened by some feel-good visual enjoyment.

Three things that I feel obligated to say before you read on:

  1. These videos are all of white men, which I feel guilty about, but I guess I consume video in a bubble that needs to be expanded. I will work diligently on that.
  2. These are all sports docs in some way, but please give them a chance anyway.
  3. Sorry for the listicle type format of this post. I hate listicles as much as the next person, but they are an easy format for sharing things.

I came across Floater this afternoon, and though it is essentially an advertisement for a clothing company, I still loved it. The playful editing, the muted colors, and (of course) the special-effects trickery make this little guy captivating, even if you’re not a surfing fan.

Apologies in advance for another piece of branded content (such is life in the world of outdoor videos), but this one has a fantastic story. Frank inspires me every time I see him on screen. He has that light in his eyes reserved for people who have emerged from a dark past, found something to love, and shared that something with strangers (who inevitably become friends). Plus, he has rockin’ dance moves.

When I’m dreaming of escape from school or work, Slomo gives me hope. Also, this story speaks to the fact that the person who looks crazy from the outside may actually be extremely intelligent and insightful. ‘nuff said.

So much two-planked creativity in places where two planks were not meant to go. When I watch Real Skifi videos, I’m reminded that deficit can be a rich source of invention. I’m also reminded that skiing is just plain fun.

A final cheers from your devoted student of documentary, storytelling and outdoor play,

North

Wage/Working

This week, the Summer Documentary Program students at MISC will present the audio pieces they made as a part of Wage/Working, a jukebox-based oral history project that has travelled around the country documenting stories of people and the work they do. The project opened doors for the MISC students to get further acquainted with their community by participating in an ongoing dialogue surrounding wage inequality.

The tapes were edited to fill the amount of time it takes the interviewee to make a dollar, and placed onto an “album” in the jukebox. Some albums are long; some are very short. They all speak, in their own ways, to the delicate relationships we have with our jobs. The albums, encased in a jovial relic, contain stories of hardship and sacrifice. They tell stories of workplace boredom and frustration, reflect on years of career building, and give intimate insight into the unique perspectives of those who work in our communities. They show power structures and systems of control. These structures were made known even before the interviews started.

Many students reported back that several potential interviewees were unable or unwilling to talk about what they do. A boss or manager sometimes silenced them, but many times they were silenced by the uncomfortable thought of discussing their work, as if it were taboo. These feelings of discomfort are not unfounded. In 2014 President Obama issued an executive order prohibiting federal contractors from retaliating against employees who discussed their wages, but prior to that, rampant pay secrecy policies in the workplace bred pay discrimination and inequality. These policies were presented as protecting workers, yet are illegal under the 1935 National Labor Relations Act. This New Deal law allowed private-sector workers to get together and discuss things about their work that mattered to them. Pay is a paramount component of work, and discussions surrounding pay are protected under this act. Prior to Obama’s executive order, companies who violated this rule paid a fee, but now risk losing their federal contract if they retaliate against a worker for discussing pay.

But what about the social implications? Discussing wage eventually leads to a conversation about wage inequality, the pay gap and what skills are considered valuable. By bringing pay out into the open and normalizing the “money talk”, Wage/Working and the journalists who work on the project are acting as catalysts to these discussions. Yet despite the positive effects of being transparent about pay, it’s still an uncomfortable topic. In a study done by Wells Fargo & Co, participants said discussions about money were the most difficult conversations. However, they also said they were the most important to have. When applied to a community like Portland, the Wage/Working project acts as the vehicle that facilitates these conversations. 

Here's a slam poetry performance by Olivia Gatewood “At The Owl”. 

-Trisha

Surprising My Family Pt. 1

Tomorrow, Friday July 22nd, 2016 I will board a plane and fly to LAX. I’m going down for the weekend to attend a family reunion. For most of my life my whole family (grandparents, aunts, uncles, cousins, and more) lived in the same county in Southern California. However, slowly over the years folks started to move farther and farther away. By the time I was graduating high school, my mom and step-dad were about to move across the country to Texas and my aunt was moving to Montana. But California remains home base for us. While I’ve made several trips back home since starting Reed College in the fall of 2013, I haven’t seen much of my extended family in years.

I’m really looking forward to seeing my family this weekend but I’m even more excited to surprise them with my visit. Only my mom and step-dad know that I’m coming down for the reunion. The rest of my family knows that I’m participating in the summer documentary program and understood when I told them I probably wouldn’t make it down to see them due to our busy schedule here. Hopefully, they’ll forgive my little white lie.

I’m lucky enough to have access to a Zoom recorder this weekend which I’m going to use to record my journey to my hometown, the sounds of surprising my family, and hopefully even get some interviews with my family members. I’ve always loved the idea of doing an oral history project of my family and now that I’ve gained some skills in audio recording and editing I want to start the first small bit of that task. I firmly believe that everyone’s story deserves to be told and that as storytellers we have a responsibility to tell the stories that we feel inspired by. No one inspires me more than my family. Stay tuned for the finished audio piece of my trip.

-Frankie

At this point, all I’m certain about is I want to tell stories for the rest of my life

I arrived late to journalist Nancy Rommelmann’s lecture this morning, and I’m disappointed because hearing her talk was one of the highlights of my Summer Documentary Program experience so far. I’m a print/web journalism major and because of that, everything she said about writing spoke to me, but I think even the students more interested in activism than journalism took away a lot from the lecture as well. When Nancy told us some personal stories, that also resonated with me. I learned that she didn’t start her journalism career until she was 30 years old. When she said this, I couldn’t help but feel somewhat comforted. I’m 21 years old and I have this idea in my head that I need to know right now what I want to do with my life. It’s probably because I would like to know, though. I think photography is my calling but making audio pieces these last two weeks were a fulfilling experience. Who knows? At this point, all I’m certain about is I want to tell stories for the rest of my life and participating in this program has made that idea even more clear to me…. so, thank you Rose and Phil.  

Anyway, here’s some advice we got from Nancy that maybe you can apply to your work or life.

  • Make the universal, personal (in your storytelling)

  • If something intrigues you, readers will be intrigued as well

  • Everyone wants to share their story but they might not know it yet → JUST ASK

  • Follow your instincts and do work you respect/try to focus on what you love, you’ll get there faster

  • ”don’t let people f*** with your stories” because you should protect yourself and the voices you’re using

  • BE CLEAR… “dazzle me with clarity”

  • Your objective shouldn’t be to break hearts. Instead, let the voices reveal themselves. And if you want a story to reveal itself, you have to COMMIT to it.

  • MISTAKES: You’ll make them and it’s OK. Just own it and don’t lie, don’t sentimentalize to make points

  • “Write a lot” = practice your craft!

  • Be COURAGEOUS :)

After Nancy’s lecture, I was happy and didn’t think my day could get any better, but it continued to do just that. I ate at Little Big Burger (shout out to Zach for recommending it), bought Jessi Klein’s You’ll Grow Out of It at Powell’s (she’s speaking at the bookstore this Friday!!), then spent time with my cousin and her boyfriend at the Japanese Garden and then in the Alphabet District. I can’t wait for tomorrow.

 

Until next time,

Pilar

I pull the tab. Pop. Fizz. Let the experiment begin.

For the past couple of weeks strange, vibrant orange bike racks have been popping up around Portland. They’re usually strung with caution tape, and until yesterday, I never saw a bike locked to one. Now, they’re all populated with a fresh fleet of orange Nike bike share cruisers. This morning, the baskets of those cruisers each had a can of Red Bull The Orange Edition waiting for the passerby to snap up. Usually not one to drink such things—in fact I rarely consume caffeine of any kind because it makes me overly high-strung and anxious—I grabbed one out of curiosity. I mean, who wouldn’t want The Taste of Tangerine (artificially flavored) and The Wings of Red Bull? The writing on the can struck me especially hard. It says that “top athletes, busy professionals… and [can you believe it?!] travelers on long journeys” drink Red Bull. Maybe this orange can held the key to my summer success. Here’s what followed:

LOG 7/19/2016 12:06pm. I pull the tab. Pop. Fizz. Let the experiment begin. My first impression of the artificial tangerine flavor: it’s like a motor-oil infused clementine that’s had its acidity levels boosted. I don’t feel any immediate physiological or psychological effects. I will motor on.

LOG 7/19/2016 12:13pm. I’m now about 4 glugs deep. My heart is racing a little bit, an my fingers feel jumpy. I feel kind of like a hummingbird. My throat burns a little bit and my stomach feels funny. I may just be hungry though.

LOG 7/19/2016 12:19pm. I’m having trouble focusing on our practice film showings at Portland Community Media. A slight headache is brewing behind my eyes. My breath is shallow. The can is half empty.

LOG 7/19/2016 12:30pm. No discernible change.

LOG 7/19/2016 12:38pm. I take the last sip just before our practice video plays. My hand starts to itch. My chest feels pressure. My pulse feels faster than usual. I don’t think I’m capable of closing my eyes, even if I really wanted to. I wish I could get this devil juice out of my system.

LOG 7/19/2016 1:26pm. My limbs feel charged with an anxious energy that I doubt any amount or type of movement could deplete. Even as I ride my bike over to Mississippi Pizza to have a group lunch with OPB’s John Sepulvado, the feeling does not go away. It is not the good type of energy; it feels toxic and foreign.

LOG 7/19/2016 2:48pm. I can’t tell whether I can’t focus or if my focusing abilities are just so one-track and intense that I can’t control them. Either way, I fidget a lot as John Sepulvado speaks to us of his fascinating past and future cyborg doomsday hypotheses.

LOG 7/19/2016 4:30pm. A few hours’ distance and eight or so miles on my bicycle seem to have taken the edge off the caffeine high. I stop at the waterfront park in Milwaukie to read for a bit, grateful to be on the other side of the peak.

LOG 7/19/2016 5:45pm. I think I feel normal again. Yay.

On another note, here’s a tribute to Rose Holdorf that Lindsey and I made to practice editing in Final Cut Pro X at Portland Community Media.

 

Cheers from your humble, caffeine-crashed documentarian,

North Bennett

P.S. Shout out to Tim Rooney for being a fantastic video camera and software teacher!

It’s a rough day when you forget your wallet in the morning

It’s a rough day when you forget your wallet in the morning. It’s a rough morning when you forget your wallet, run back to get it, miss the bus because of it, then run as far north as possible to intercept the next bus. Morning shenanigans aside, I arrived at Portland Community Media, and I was able to sit for a while. Sitting does not mean relaxing though, and we jumped right into editing with Tim Rooney. I swear I could listen to this man talk for hours. His voice swoons the student into focus, and he deserves an audiobook narration deal. Tim recommended a book on editing by Walter Mulch called In the Blink of an Eye that I will read as soon as I get my hands on it. I have been wary of teaching books my whole life, but if it comes from Tim Rooney, I have to check out.

After our session at PCM, we moved back to Portland State to meet the brother of James Blue. He presented his brother’s film, The March, about the 1963 March on Washington, and I was blown away. Mr. Blue told us his brother was a student of the classics and ancient theater, so I watched the entire movie through this lens. The narration was stunning, and it set the tone of the film beautifully. One line stuck out to me: “This is the story of that day.” The narrator says the line as buses flow into Washington D.C., and the rest of the film takes on a massive importance and scale. I cannot believe that the film was not released for public viewing until 2013. Mr. Blue’s project to put the film into high schools is a phenomenal idea.

Finally, after class, I went back home to find Lou, the house dog, sleeping and perfectly oblivious to my entrance as he is 100% deaf. I stopped at Stumptown to work on my Wage/Working workshop project for which I had to edit an interview with Joshua Force to five minutes. Joshua is an eccentric book artist who stands outside of Powell’s selling coloring books with tails. You must color in the book with your left hand, and he talked for about an hour and fifteen minutes. After the strenuous crunch of dialogue, I shortened it to the amount of time that it takes Joshua to make one dollar, and sent it back to Tennessee and Laura at Wage/Working.

-Rashad

Guest Post from Anastasia Von Strottenberg

(Some context: over the past two days, the MISC students have been participating in a workshop on basic camera, lighting, sound design, and interviewing skills. At the end of today’s session we split into groups of three: one member sat in the “hot seat” and was interviewed, one assumed the role of interviewer, and one manned the camera and served as producer. I thought my background in improv comedy would be useful for this assignment, so I elected to be interviewed and came up with this character. Enjoy. -- Dylan)

Good evening, darlings. My name is Anastasia Von Strottenberg. If you do not know who I am (although, really, who doesn’t?), I am an elite fashion designer – specifically, the creative genius behind Anastasia’s Fashions. What? You’ve never heard of my work? Oh, but of course you’ve seen it; my designs look rather distinctive. See, I work exclusively with saran wrap and tin foil. Skirts, dresses, hats, you name it and I’ve made it. (Oh, I know it’s revolutionary, you don’t have to tell me that.)

Please excuse how out-of- breath I’ve been as I introduced myself. I know you haven’t asked why this is, but let me tell you about it anyway. You see, it’s currently New York Fashion Week and my work is being showcased on the runway. There have been so many parties, interviews, and the like… it all blurs together. You know how it is, dear. But I just came from a very special engagement that you simply must know about. I was the third guest on this up-and- coming talk show called White Walls, filmed at Portland Community Media. (I did admire the simplicity of the name. When I asked about it, I learned that it comes from the white walls the show was filmed against.) The experience was absolutely fantastic, I must say.

First, I can’t praise Tim Rooney enough, the lead producer who coached the production team in making me look and sound my best. I believe his day job is as a trainer, videographer, and community media facilitator at PCM, and he was very skilled at all these things – but most importantly, he set up the two-point lighting system so light properly shined on my gorgeous face and laughed at all my jokes. (And who needs more than that?) In addition, the other featured guests were incredibly enlightening. A million-dollar- lottery winner who lost all his money to the IRS? A saxophone player with godlike abilities who tours deserts and gains cult followings? I don’t remember their names, but if you didn’t see the segments you’re missing out.

But the best part of the experience was the production team on staff for White Walls. Having known film production skills for only two days, they were absolute stars. Sure, a couple shots unintentionally drifted away from their subjects, but each interview was nearly flawless from sound check to final question. However, I must brag specially on the team that produced my own piece. For starters, Frankie Breedlove asked the most poignant questions and helped the story of my meteoric rise to fame and fortune surface. I’m always grateful for the opportunity to tell the story of the first piece I ever designed (a saran wrap dress for my little sister, made at age three), and I was able to do so today. And Lizzie Schmidt was the best camera operator/producer I have ever worked with. (Oh, I’m being told her name is actually Lindsey Smith. Either way, she was fabulous.)

So that’s how my morning and afternoon have been. There’s a mixer with other fashion designers coming up in a few minutes, so I had better go learn tips and tricks from my colleagues – but most importantly, share my own skills and success with them. It’s been a real treat, darling, please do call again.

 

Ta ta for now,

Anastasia

Can Pokémon Go create social change?

Last week, the trailblazing new video game Pokémon Go was released in the U.S. and immediately, it spread like wildfire. According to Survey Monkey, the game had about 21 million daily active users as of July 11th. The game augments reality by accessing a smartphone’s camera and superimposing a 3-D Pokémon onto the screen. It’s not only remarkable for it’s innovative use of technology but also for its concept. In order for the user to catch any of the virtual Pokémon, they must explore outside of their real-world homes. This way, folks are not only playing the latest video game they are also getting exercise. Folks who might not otherwise spend time outside are leaving their homes and getting, on average, 28 minutes of exercise.

Okay, so Pokémon Go is a clever game that encourages more people to get outside and get moving. In and of itself, this is a remarkable feat for an app. But other benefits of Pokémon Go are being reported. According to an article on The Mary Sue, many users are reporting that spending time playing the game is boosting their mental health. Spending time outside is linked to alleviated symptoms of depression and anxiety and may help explain this boost users are experiencing. Not only that, users are also reporting that the game has led them to socialize with people in their neighborhoods.

As I rode my bike on the Springwater Corridor in SE Portland last weekend, I noticed that it was a bit more crowded than usual. I even came across several groups of people walking together trying to catch water and grass Pokémon. Pokémon Go has encouraged more exercise and time outdoors, boosted people’s mental health, and helped build community in neighborhoods. All this, if (and that’s a big if) sustained, can have lasting social impact.  As an aspiring media-maker, the ability for a simple and fun game to affect so much is inspiring, even if I’m not a huge Pokémon buff.

Signing off for now,

Frankie

The Panel Review

Yesterday afternoon, we shared our audio documentaries with Peter Frick-Wright and radio mentors Phoebe Flanigan, Sarina Fong, and Alex Ward. I woke up feeling anxious because I was unsure what the reaction would be to my project. Although everyone worked hard, it’s a vulnerable position to be in- sharing your work with others. The difference was this time there was added pressure. We were sharing our work with experts, people who have been involved in the field for awhile and have had a lot of experience.

“I don’t think that’s an opportunity you get really often as a student,” said Carinna Nikkel, whose documentary was on the Community Cycling Center in Portland. “It was really cool, I thought. Because I think it was nervewracking to kind of present a radio piece you had made in the last week to a bunch of really cool radio producers and all of your peers but it was also a really big honor to get to be critiqued by professionals.”

Ah yes, we got to be critiqued! And it turned out to be a more pleasant experience than expected.

“They were just so nice and constructive,” said Lindsey Smith, whose piece was about the Portland Fruit Tree Project. “I don’t really think I’ve ever been critiqued in that way that was just so helpful. I get offended really easily about stuff that I make but I wasn’t offended.”

For Dylan Walker, who made a documentary about the Intergenerational Outreach Choir, the feedback was good and also cleared up some questions. More importantly, I learned, making the piece has been inspiring.

“I’m super proud,” Dylan said. “I’m super proud of the organization that I profiled, too. In fact, I think I want to call the director and to keep profiling choir members.”

My favorite part of everyone’s documentaries:

Carinna’s honesty (feeling silly when Turner was teaching her); Lindsay’s soundscape (that apple bite!!); Rashad’s description of the fair; Sindi’s patience (letting her character speak which showed his personality); Frankie’s completeness (when the camper says not a lot of boys can say they’ve made apps/essence of story); Dylan’s soundbites (so many great ones!); Alex’s questions for interviewees (this led to great answers!); Kate’s narration (from the start, I was hooked); Trisha’s use of facts to tell why the nonprofit is important; North’s story’s progression and ambi noise (the truck sounds); and Zach’s tone (in the beginning, using the music from an art installation).

-Pilar